articles/Paper/cansoninfinity-page3

Paper Chase Canson Infinity - part 3 of 1 2 3 4

by Mike McNamee Published 01/06/2009

Overall, the highlights of the results were as follows:

1. None of the prints was an outright reject.

2. Edition Etching and Montval were too red in both skin tones and mid-grey and carried the highest huecomponent errors. This is the one pair of results which really suffered from our choice of the wrong media setting.

3. Rag Photographique, Mi-Teintes, Velin Museum and BFK Rives produced average errors of less than 3.0 ΔE2000 which is exceptionally good for a generic profile. We doubt that a media setting change would influence the statistics.

4. The Dmax values all hovered around 1.6, equivalent to about 18% in Lightness value, typical of the better materials in this class.

5. Metamerism was low, ranging from 0.6 to 1.6 Lab ΔE (D65 to Tungsten A at 50% grey).

6. None of the media showed any unpleasant effects such as gloss differential, patchiness, shadow reversal or ink flooding. The surfaces were slightly delicate as you would expect.

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1st Published 01/06/2009
last update 09/12/2022 14:52:12

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