articles/Lighting/onol-page3

One light, One lens, 100 - part 3 of 1 2 3 4 5

by Kevin Wilson Published 01/12/2016

My preferred locations were old buildings, fields, streams, barns and woodland - all with challenging levels of light that could be manipulated with reflectors and gobos.

Importantly, I had areas that I was able to utilise in the event of bad weather.

Extremely popular with my clients were the cornfields, which fortunately are in abundance in Dorset - autumnal portraits with the fading leaves and colours were a great opportunity to sell as Christmas presents.

This kind of work was and still is very appealing to my clients, who preferred what we now call ‘lifestyle’ - I’m not quite sure where that terminology came from!

Many photographers at that time, saw it as an inconvenience and were unwilling to step outside the comfort of their studios; therefore it was a ready-made niche market that I was more than willing to accommodate.

Please Note:
There is more than one page for this Article.
You are currently on page 3

• One light, One lens, 100 page 1
  
• One light, One lens, 100 page 2
  
• One light, One lens, 100 page 3
  
• One light, One lens, 100 page 4
  
• One light, One lens, 100 page 5
  

Contact Kevin Wilson

1st Published 01/12/2016
last update 09/12/2022 14:57:11

More Lighting Articles

There are 21 days to get ready for The Society of Photographers Convention and Trade Show at The Novotel London West, Hammersmith ...
which starts on Wednesday 15th January 2025